Rome, India Theatre: The Masnadieri di Schiller

The MASNADIERI, the WORK OF the REVOLUTIONARY ROMANTICISMO IN SCENE AL INDIA THEATRE OF ROME \ ROME – It is the more blood romanticismo, that one of the great ideals, justice silk revolutionary, passionario, fact but also of desire of the knowledge… it is the romanticismo of Schiller, that one put in scene till 27 November to the India Theatre of Rome near Alberghi Economici Roma
Gabriel Lavia filler on the stage the Masnadieri, the work that cost to its author the jail and the order not to write more for the theatre: the history tells the revolutionary adventure of Karl Moor, a private young person of its rights of primogenito from the father who is be in its turn raggirato from the sights of its second son, obsessed from the idea to become a gentleman. Karl is gone and become some the head of a group of young people from the revolutionary ideas that decide to become masnadieri. The gang increases its row and while Franz (brother of Karl) continues to tramare in the castle: it makes to lock up the father in a tower in the wait that dies and tries sedurre Amalia, the woman whom she loves and still she is loved from Karl. This last one does not surrender and with the aid of Kosinsky, a new friend of the masnadieri, intrufola in the castle, where it comes to it hardly said that the father is dead man, before that the brother tries to make to poison it. When but Karl comes to know that the old Moor is still alive orders to its men to give fire to the castle and Franz, looking at itself lost, it is converted hardly before killing: the history, than seems to turn to the lietofine, remains here but a drama thus, when the father discovers that Karl is alive does not support the blow to know it at the head of the masnadieri and dies. Morirà also Amalia that, also not to separate itself from Karl, asks this to kill it: the boy refuses but then he is forced to complete the gesture when he sees that an other is in order to please the prayer of she. This terrible gesture opens the eyes to the boy who understands the absurdity of wanting to redimere the world through the use of the force: in order to obtain the divine forgiveness then delivery to a labourer who will be able to thus become rich with the ransom offered for the capture of the head of the masnadieri.
A sure dramatic history that but, own from its tragic profile, draws its greater gift, the being always puts into effect them: the public of every age can see again us a little of its world and remain thus glue to the seat, sedotto from the romantico fascination and to the contempo plagued from the dramatic inevitable epilogue. The Masnadieri hits to the heart, here where the passion meets the catastrophe.